Tag: Explorations Series

Explorations Vol. 6: Time and Breath

New Thread Quartet / credit: April Renae

NTQ presents our 6th Explorations concert with a program of cutting edge works for saxophone, drawing from meditative breath, temporal flux, sine tone clusters, dissembled instruments, and vocalization.

The concert opens with works from NTQ’s residencies at New York University and Binghamton University. Neva Derewetzky‘s small voices explores time and air, growing from meditative breath to sweeping dynamic swells. Derewetzky writes the saxophone “is an instrument that begs to run… For just a few minutes, I want the instrument to be patient. To take a breath and to wait.” Michael Seltenreich‘s Ornamentation 1 uses flux in tempo to build a constant pulsing line. The work builds harmonically while always centered around the push and pull of time. Our program will continue with commissioned works by NTQ founding member Erin Rogers and by Victoria Cheah. Erin RogersFoliage utilizes timbral and harmonic shifts to produce slow motion color changes in a gradual transition to noise. Victoria Cheah‘s Walk for a shell incorporates fixed media playback alongside the saxophone quartet, and explores how actions along a path may connect you to others. Cheah writes “Pilgrimage journeys put time and effort to work at covering a distance in an offering of respect. Walk for a shell attempts this respect with gestures of tuning, ghosts of words exchanged, and offerings of effort.”

Explorations Vol. 6: Time and Breath
Sunday, Sept 10 @ 2pm
The DiMenna Center for Classical Music, Benzaquen Hall
450 West 37th Street, New York, NY, 10018
Tickets – $10 online and at the door
Online ticket sales have closed. You may purchase a ticket at the door (card or cash).

Program
Neva Derewetzky – small voices (2023), NYC premiere
Michael Seltenreich – Ornamentation 1 (2022), NYC premiere #
Erin Rogers – Foliage (2023), world premiere *
Victoria Cheah – Walk for a shell (2023), world premiere *

Learn more at our event page.



Explorations Vol. 5: New Thread @ 10 Years

Wow, NTQ @ 10 years?! Time flies by with all that microtonal, theatrical, noise focused, computer generated, light bulb conducted, meditative, and leg muted rep. Join us on Sept 16 as we celebrate with Explorations Vol. 5, featuring works by Martin Bresnick, Malaika Paralkar, Noah Meites, Elori Saxl and Om Srivastava.

New York’s most adventurous saxophone quartet celebrates 10 years of excellence-driven performance with five boundary-defying new works by American composers. Explorations Vol. 5: New Thread @ 10 Years evokes an expansive range of voices and techniques, including driving unison lines, microtonal harmonies, extended sonic palettes, complex rhythmic interplay and poetic inspirations. Following an 18-month hiatus for Covid-19, New Thread returned to the stage with renewed vigor in Spring 2022, debuting 3 exciting new programs and a new Soprano chair.

The program begins with decorated composer Martin Bresnick’s Mending Time. Co-commissioned by New Thread, PRISM, and a consortium of 18 other saxophone quartets, Mending Time is a 4-movement work inspired by Robert Frost’s “Mending Wall,” a poignant work for the current political climate. Malaika Paralkar’s Haze at the Edge of the Sky plays with micro-tunings and decorative sonic effects. A flutist and composer from the Philadelphia area, Paralkar blurs color and key in this short work for saxophones, combining trills, multiphonics, and singing to create textural drones. In Fracture Mechanics, from LA-based composer Noah Meites, cascading unison lines with competing articulation patterns interrupt whirring multiphonic sustains, exposing cracks in the ensemble-as-machine as it drives and ultimately falters, while Elori Saxl’s Private Life explores a deeper drone world using only tenor and baritone saxophones. KRIYA, a New Thread co-commission from composer Om Srivastava, is heavily inspired by rhythms from the North Indian tabla tradition. Sanskrit for “action,” KRIYA refers to a set of practices regarding breath control techniques in yoga, in this case testing the players in passages of lengthy, sweeping lines, and guiding the listener through a wild adventure.

New Thread Quartet will be joined by Thomas Giles at the alto sax chair for this concert.

Explorations Vol. 5: New Thread @ 10 Years
Friday, September 16, 2022 @ 7:30pm
Tenri Cultural Institute
43A West 13th Street, New York, NY
Tickets – $10 online and at the door

Program
Martin Bresnick – Mending Time, co-commissioned *
Malaika Paralkar – Haze at the Edge of the Sky
Noah Meites – Fracture Mechanics, world premiere, written for NTQ
Elori Saxl – Private Life
Om Srivastava – KRIYA, world premiere, co-commissioned #

* Co-comissioned by New Thread Quartet in a consortium led by PRISM Quartet with support from The Pew Center for Arts & Heritage.

# Co-commissioned by New Thread Quartet and Palmetto Quartet



Explorations Vol 4: ATTACCA

NTQ returns for its 4th annual concert exploring new music for saxophones, pushing the ensemble beyond its traditional boundaries. Explorations Vol. 4: ATTACCA features four exciting new works by American composers exploring the theme of miniatures – presenting singular works across multiple movements. The program is entirely acoustic, highlighting elements of just intonation, metric modulation and a blending of traditional and extended techniques.

NTQ presents Explorations Vol. 4: ATTACCA
featuring works by James Ilgenfritz, Len Tetta, Jude Thomas, and the world premiere of Chamber Music America commission by Amy Beth Kirsten.

September 12 @ 8:30 pm
Tenri Cultural Institute
43A West 13th Street, New York, NY
$10 ticket, $20 for ticket + debut album, available online and at the door

Learn more at our event page.



Explorations Vol. 3

New York’s most adventurous saxophone quartet returns for its third annual concert exploring new music for saxophones, pushing the ensemble beyond its traditional boundaries. New Thread Quartet will perform acoustic and electronic works through spatial ensemble formations, and modular instrumentation.

Four saxophonists surround the audience for a spatial exploration of multiphonic textures in “Umdrehungen” by German-born Karola Obermüller. “Burned Into the Orange” by composer Peter Gilbert evokes hues of the New Mexico landscape: orange, auburn and red mountain sides and a distant southwestern sunset. Psst! Come closer. The secret to “cryptonym” by Singaporean, Atlanta-based composer, Emily Koh exists in short bursts and small sounds. “As Above, So Below” by NYC-based Dennis Sullivan is a multi directional barrage of extended playing techniques and electronics, unified by cohesive elements of rhythm and sound while four singing soprano saxophones layer sonic effects and microtonality, shifting perception of space and time in “Bring mir einen Engel zurück” by Australian-born Paris-based Joshua Hyde.

NTQ presents Explorations Vol. 3
Sept 8, 2018 @ 8:00pm
The DiMenna Center, Benzaquen Hall – 450 West 37th Street, New York, NY
$10 – Tickets available online, or at the door
More info on our event page

Program:
Dennis Sullivan – As Above, So Below *2018 commission, world premiere
Emily Koh – cryptonym: *2018 commission, world premiere
Joshua Hyde – Bring mir einen Engel zurück *world premiere
Karola Obermuller – Umdrehungen *revised, world premiere
Peter Gilbert – Burned into the Orange



Explorations Vol. 2

Announcing NTQ’s second annual Explorations concert! Join us as we continue to explore new music for saxophones, pushing the ensemble beyond its traditional boundaries.

Explorations Vol. 2 features hyper-modern works by four next-generation compositional voices, with a common theme of “Innovation through Notation.” Karst by Max Grafe charts the dramatic and musical implications of an initial explosive event – a cataclysmic or traumatic occurrence – followed by an exploration of sharply contrasting, but interrelated musical characters. A shout to the Belgian saxophone player and bandleader, Fud Candrix, Taylor Brook’s Flux Candrix toys with musical quotation and stylistic allusion. Adam Mirza explores the highest registers of the instrument, in a new work titled In In In Out, while Chris Fisher-Lochhead showcases the versatility and power of the modern saxophone in Blissing Out – a work notated entirely in tablature.

NTQ Presents Explorations Vol. 2
Thursday, April 20 @ 8pm
DiMenna Center – 450 West 37th Street, New York, NY
Tickets: $10, purchase online

Program:
Max Grafe – Karst *world premiere
Taylor Brook – Flux Candrix *world premiere
Chris Fisher-Lochhead – Blissing Out
Adam Mirza – In In In Out *world premiere



Thanks!

NTQ 2016 Explorations

Thanks to everyone for your support at our inaugural Explorations concert! We had a blast presenting new works by Scott Wollschleger, Ryan Pratt, Diarmid Flatley, and Pat Muchmore.

Stayed tuned as we get ready for our next concert season, including a CD release concert for Elliott Sharp’s Tranzience!



June 10 – Explorations Vol. 1

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To celebrate our 5th anniversary season, New Thread Quartet is launching the first in an annual series of programs devoted to the exploration of new music for saxophone quartet, pushing the ensemble beyond its traditional formation. For Explorations Vol. 1, NTQ will perform cutting-edge new works by four uniquely-voiced New York composers, featuring modular instrumentation, electronics, lighting, and video, with a common theme of human vs. instrument.

Explorations Vol. 1
Friday, June 10 @ 7:30pm
University Settlement, Speyer Hall – 184 Eldridge Street, New York, NY
$10 tickets – buy online or at the door
free food/drink
Facebook event page

Scott Wollschleger’s Without World delves deep into a timbral universe where the softest moments feel larger-than-life, framing the multi-sized saxophones as engines of air. Ryan Pratt’s Blend for altos/sopranos and electronics, showcases the bright lyricism and humanism within natural multiphonic textures. Diarmid Flatley’s Six Regions for four saxophonists, five laptops, and interactive video, explores an extended harmonic series through the sonic regions between pure frequencies and the human attempt at such. Pat Muchmore’s Hyperoperator3 for 2 tenor and 2 baritone saxophones juxtaposes multilayered rhythmic lines against microtonal keening (wailing in grief).

Program:
Ryan Pratt – Blend for 2 altos, 2 sopranos, and electronics *world premiere
Scott Wollschleger – Without World *world premiere
Diarmid Flatley – Six Regions for sax quartet, 5 laptops, and interactive video *newly revised premiere
Pat Muchmore – Hyperoperator3 for 2 tenors and 2 baritones *2014 NTQ commission